These images show how the gallery space is both the inside area and the outside terrain. Sculptures such as this one by Richard Goodwin can be shown outside, but more delicate works and paintings are best exhibited indoors. Below is an example of Patricia Piccinini's work inside her below-ground studio, which consists of a number of ante-chambers, some closed and some open. It expressed my chosen word ('confronting') because you can never see who or what is in all of these chambers as they curve around under ground, creating a sense of unease. The all radiate from the middle chamber, creating a feeling that they are all coming towards the middle. Please see the section below.
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